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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Marc Besen AC and Eva Besen AO
Featuring a favourite painting, Fred Williams ‘Wild Dog Creek’ 1977
Marc Besen AC and Eva Besen AO
Featuring a favourite painting, Fred Williams ‘Wild Dog Creek’ 1977
Marc Besen AC and Eva Besen AO
Featuring a favourite painting, Fred Williams ‘Wild Dog Creek’ 1977

Marc Besen AC and Eva Besen AO
Featuring a favourite painting, Fred Williams ‘Wild Dog Creek’ 1977, 2020

Raelene Sharp
Portrait, oil on linen

Commissioned with funds provided by Nigel Satterley AM and Denise Satterley 2020

Mirka Mora

It's a Mora!

Magazine article by Tedi Bills, 2016

Select extracts from Mirka Mora's autobiography, Wicked but Virtuous, provide rich accompaniment to recent Gallery acquisitions.  

Jude Rae, 2016 by Mark Mohell

Jude Rae

Explore The Popular Pet Show

Jude Rae’s high reputation rests on her austere, cerebral still lifes of gas canisters, electric jugs and jars, which she groups and rearranges for paintings that catch their difficult curves and reflections. Her self-portrait’s likewise thoughtfully composed.

Portrait of Tam Purves

Bonfire of the vanities

Magazine article by Stuart Purves, 2016

Australian Galleries Director Stuart Purves tells the story of two portraits by John Brack.

Peter Elliott
Peter Elliott
Peter Elliott

Peter Elliott, 1964

Jon Molvig
Portrait, oil on masonite

Gift of Richard Elliott 2016. Donated through the Australian Government's Cultural Gifts Program.

Patrick Ryan, 1968 by Mark Strizic

The silent partner

Magazine article by Dr Sarah Engledow, 2015

One half of the team that was Eltham Films left scarcely a trace in the written historical record, but survives in a vivid portrait.

Barry Humphries

Uncommon Australians

The vision of Gordon and Marilyn Darling
General content

Sarah Engledow writes about Gordon and Marilyn Darling and their support for the National Portrait Gallery throughout its evolution.

Angus Trumble with Self portrait at easel by Fred Williams

Autumn in Canberra

About Face article

In Persuasion (1818), a long walk on a fine autumn day affords Anne Elliot an opportunity to ruminate wistfully and at great length upon declining happiness, youth and hope.

The family

Big bouquet of Blackmans

Magazine article by Dr Sarah Engledow, 2013

Dr. Sarah Engledow explores the context surrounding Charles Blackman's portrait of Judith Wright, Jack McKinney and their daughter Meredith.

Portrait 40

July - August 2011
Magazine

This issue features Claudia Karvan & Jimmy Pozarik, Agus Suwage & Contemporary Portraiture from Asia, Fred Williams, Zhong Chen, John Bell, The French Antipodes and more.

Portrait of Patrick Ryan
Portrait of Patrick Ryan
Portrait of Patrick Ryan

Portrait of Patrick Ryan, 1971

Fred Williams
Portrait, gouache on paper laid on board

Collection: National Portrait Gallery
Purchased with funds provided by Tim Fairfax AC 2012

Clifton Pugh painting in the studio

Painting mates

Magazine article by Michael Desmond, 2011

Michael Desmond discusses Fred Williams' portraits of friends, artist Clifton Pugh, David Aspden and writer Stephen Murray-Smith, and the stylistic connections between his portraits and landscapes.

Clifton Pugh painting in the studio
Clifton Pugh painting in the studio
Clifton Pugh painting in the studio

Clifton Pugh painting in the studio, 1974

Fred Williams
Portrait, oil on canvas

Collection: National Portrait Gallery
Gift of Lyn Williams AM 2011
Donated through the Australian Government's Cultural Gifts Program

Stephen Murray-Smith
Stephen Murray-Smith
Stephen Murray-Smith

Stephen Murray-Smith, 1980

Fred Williams
Portrait, oil on canvas

Collection: National Portrait Gallery
Gift of Lyn Williams AM 2011
Donated through the Australian Government's Cultural Gifts Program

Sketch portrait of David Aspden
Sketch portrait of David Aspden
Sketch portrait of David Aspden

Sketch portrait of David Aspden, 1975

Fred Williams
Portrait, oil on canvas

Collection: National Portrait Gallery
Gift of Lyn Williams AM 2011
Donated through the Australian Government's Cultural Gifts Program

Brown form with stripes, 1961

Figurative foundation

Magazine article by Joanna Gilmour, 2010

Joanna Gilmour explores the life and art of the Australian artist Janet Dawson.

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Canberra, ACT 2600, Australia

Phone +61 2 6102 7000
ABN: 54 74 277 1196

The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency